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It's a perfect autumn day this morning with clear skies and burnished copper trees - good to be alive. I'm coming up to the last night of playing at the Churchill Theatre in a production of 'The Bartered Bride.' Edinburgh is such an elegant city, full of opportunities for the arts - I'm very fortunate to be here.

Sound Production
Yesterday, I had my last session of a basic introduction to sound production at Swanfield Studios, so there's a home recording of Galliard Battaglia by Samuel Scheidt below.

 This study enables me to get the best out of the recording gear that I have in Barlinnie and Glenochil. For example the students are creating some incidental music for a play about coming into prison for the first time. It's been written by our students within the Learning Centre at Glenochil. In Barlinnie, I have students who spend a great deal of time writing rap lyrics and are delighted to have the opportunity to record. Nowadays it's vital to be as versatile - playing a range of instruments, recording and writing are all essent


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Our group with virtuoso musician, Ole Edvard Antonsen
Sillico Trumpet Masterclass with Kristian Steenstrup and Ole Edvard Antonsen
What can I say or reflect upon after Sillico? For those of you who don't know - it's a mountain village in the Appenines (Italy) which is taken over by 27 trumpeters for a week of intensive study and performance. For me,, just the chance to spend time with these wonderful people was more than enough - my brain is still full of trumpet sounds made by some of the best players on the planet. How to capture what it's like to experience working with world class teachers and performers? Generosity, shared experience with world class trumpet sounds and virtuosity.
Its location in the mountains, delicious food and the best teaching you can imagine conspire to provide a life changing experience for students - even old ones like me.  

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courtesy of Donna Bramham Photography
Musical highlights for me have included the opportunity to improvise within a jazz piece written for the Meadows Chamber Orchestra by Richard Michael. A special experience for me, hearing the orchestra while floating over the top on the flugelhorn.

Playing in The Starlets for the Noisee Music Festival at Cumbernauld Theatre, which is a first class venue with great sound. Having an engineer who can understand how to balance a trumpet within a rock band is so good and unusual.


 
 
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Ewan Fairbairn, timpani, Ruari Wilson and Pamela Brown, trumpets
Recently performing in classical symphonies and concertos by Mozart and Beethoven and really helped by my friend Ewan Fairbairn's fine kettle drumming. He has a pair of small kettle drums that he plays with wooden sticks, which provide a resounding attack that kicks my trumpet playing in the backside. In my opinion this combination works perfectly for the classical era and helps me with my articulation. 

Maurice Andre
I just found this stunning recording of Monsieur Andre performing in St Paul's Cathedral, London (where I was a chorister in the 1960's).Sadness and shock to hear of Maurice Andre's death recently. M Andre provided constant inspiration to me with his inimitable sound and style and I remember hearing of the legendary concert at St Martin in the Fields, London when almost every professional trumpet player had booked seats to hear him perform. John Wilbraham told me that he went for lessons with Maurice and they consisted of strolling round formal gardens in Paris, enjoying the beauty, while playing phrases on their piccolo trumpets. Actually playing in the open air is such a good thing to do - when I lived in a flat, I would head off to the park to practise with the bonus of enjoying nature as well as disturbing the wildlife.

Music in the Internet Age
For anyone who is an artist Music 3.0 'A Survival Guide for Making Music in the Internet Age' by Bobby Owsinski, will make fascinating reading. Although I think of myself as a craftsperson there are many good ideas about how to market bands and music in a wholly different world compared to a twenty years ago.


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High Society
Just finished playing in the show 'High Society' which in my experience has the best trumpet part of this genre that I've ever had the pleasure of playing. There's a photo of all the mutes required, for example the harmon is specified to be played with tube extended, retracted and without and I was delighted to make use of my Solotone as well.